Not lost in this digital era of filmmaking is the art of storytelling. Like a fine artist painting in oil on canvas, The End of Oak Street director David Robert Mitchell keeps the viewer enthralled with every brushstroke and vibrant color as they come together to tell a story painted on the canvas of the silver screen. He keeps the viewer as enthralled by the story's creation as they are when the film ends. The journey is far better than the destination.

Obsession, written and directed by Curry Baker, emphasizes that unintended consequences lurk in every fulfilled desire. Yet this is not your typical horror film. Its basis is the unrequited love story in which the quintessential boy falls for a girl. A coming-of-age horror film, where Baker carves out a niche of his own. Far left of the horror genre and far right of the romantic comedy. But “smack dab” in the middle of something new and refreshing,